Guardate un pò cosa combinano i miei colleghi di Hive Division! Vi posso garantire che provare questa meraviglia dal vivo lascia senza parole. La prima volta che ho indossato gli occhiali mi sono resa conto di osservare il futuro. Grande Hive Division! Orgoglio tutto nostrano!
‘Hive Division presents its very own DIY VR camera rig! Created in partnership with inVRsion, PanoptikonVR is a 14-camera system designed to produce live action, 360°/3D video content for a variety of purposes (fiction, advertising, live events, e-learning). Check out this demo clip with you VR device, if you have one! https://www.dropbox.com/s/hf5ztlyghgu…
(optimized for Samsung GearVR and Oculus Rift Devkit 2)’
The interaction with machines made our daily life easier, faster and more efficient. Despite the rapid growth of technology, machines could not yet replace a simple smile, but now we have Face-o-mat.
(Also watch how it started: vimeo.com/61645611 )
Face-o-mat is Tobias Gutmann’s portrait machine that happened to travel 40’514 km, from Stockholm to Milan, Dar es Salaam, Tokyo and London. The social portrait-booth, was originally made of cardboard found in the trash, but has been upgraded to MDF to better withstand traveling. Since December 2012 Face-o-mat has produced over 700 portraits.
All the Face-o-mat visitors. Without you this project would not be possible!
Konstfack University of Arts, Crafts and Design, Stockholm
Rossana Orlandi, Milan
Art Market, Mwenge, Dar es Salaam
Brink, Graduate Design Talent & Tent London
Idée Garage, Tokyo
Camera: Tobias Gutmann, Hironori Tsukue (Milan), Bun (Tokyo)
Sounddesign: Markus Eriksson
“Locomotive”, the most recent addition to the mosaic screen installation in the foyer of Place des Arts, is a fantastical portrayal of a human machine.
The context resembles an elaborate organic dominos game. It begins with a musical impulse and is accompanied by an inexorable advancement of light.
Human flesh makes up a patchwork of glittering metallic members – which have the luster of new pistons and bolts – engendering a hybrid mass.
Caught in awkward tension, the bodies quiver in suspension, the movement becoming increasingly intense until released by the passing impulse.
The carefully synchronized three-dimensional chain reaction of image, sound and light dehumanizes the body while simultaneously makes us smile. Uncomfortable yet intrigued, the eye of the passer cannot turn away from the machine. The complexity of the work lies in its ambiguity of being funny, monstrous, and sensual all at the same time.
The totality of this intriguing puzzle is best seen by taking a step back. However, in order to observe and appreciate the detail of the movement, it is equally engaging to advance forward. Each gear, wheel and suture plays its role to tie the whole piece together.
For this project, in lieu of creating a work that is intrinsically promotional, Place des Arts has taken the risk of acting as a sponsor and distributor of this purely artistic and cinematic endeavor.
Conceived with the intention of using the proposed space – its limitations and constraints – in the pursuit giving life to a custom made creation, “Locomotive” highlights the artistic potential of the mosaic screens in the foyer.
Director: Thibaut Duverneix
Creation: Thibaut Duverneix & Mathieu Léger
Choreographer: Ashlea Watkin
Line production: Antler Films
Executive producers: Sach Baylin Stern – Thibaut Duverneix
Producer: Josh Usheroff
Cinematographer: Christophe Collette
Makeup: Anicko Bouchard
Art Direction: Mathieu Léger
Editing – Post Production – Grading: Thibaut Duverneix
Music composer: David Drury
Music producer: Christian Olsen & David Drury
Bass player: Sage Reynolds
1st camera assistant: Mariane Laporte
Grip: Max Robert
Electro: Christian Mouzard
PA: Mathieu Lefrancois-Gauvreau
Intern: Hans Bobanovits
DIT: Alexis Vanier
Watchout Integration: Thibaut Duverneix & Philippe Larocque
Special thanks to:
Place des Arts